Sequence Analysis
Shot Number
|
<!--[endif]-->Mise-en-scene |
Shot Length
|
Shot Dis
tance |
Camera Angle
|
Camera Movement
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Transition
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SFX/Music
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Dialogue
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1
|
Black and white, bedroom,
black clothed man
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00:06:61
|
Short, slow motion
|
Point of view
|
pan
|
cut
|
Dark, sinister,
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I came home and there was
a man in my house, he had a artificial arm…Are you saying I killed my wife…
Are you saying a crushed her skull and then I shot
her
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2
|
Colour Shot,
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00:01:04
|
zoom
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Backwards
|
cut
|
Music drop
|
||
3
|
handcuffs
|
00:02:13
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Close up
|
Low angle, giving subject
stature
|
Follow or tracking shot, Left
to right pan
|
cut
|
The noise syncs with the
music.
|
|
4
|
Face of Harrison ford flashes
back to murdered then gets strapped into is prison clothing( large bang when
he gets belted in)
|
00:06:80
|
Close up
|
low angle
|
Fuzzy,Blurry, fast, reckless,
dissolute
|
Cut
|
Syncs with timing of
flashback
|
|
5
|
Handcuffs, flashbacks( black and
white)
|
00:03:00
|
Medium close up,
|
fade
|
Accumulation and Buildup of
tension in the music and sound effects
|
|||
6
|
Blackout then fade into a bus
spinning of round the corner, combined with the shot of Harrison ford hitting
the side of the bus
|
00:15:00
|
Low angle shot
|
Low angle
|
Stile for (1 sec) then
tracking shot down into the trees
|
Cut, cut,
|
Silent, helicopter in the sky
|
|
7
|
Fast cut shot of harrison
ford in the crashed bus in the trees, looking around for police.
|
00:04:00
|
Quite, accumulation
|
|||||
8
|
Shot of train plowing
intosticken bus in the middle of the train line
|
00:08:50
|
Eye level,
|
Extremely low
|
Tracking shot followed by a
point of view shot
|
fade
|
||
9
|
Police turning up at crash of
the train and wracked bus
|
00:06:34
|
Pan shot
|
cut
|
Slow mysterious music, in
sync with music
|
|||
10
|
Harrison ford running way
from the sense
|
00:03:00
|
cut
|
Sweating, panicking
|
||||
11
|
Crime investigator officer,
Harrison ford running again
|
00:23:00
|
Medium close up
|
Eye level, low angle shot of
feet
|
Still shot followed by pan
|
cut
|
Alright ladies and
gentlemen listen up; we have a fugitive that has been on the run for
90minties, average foot speed over uneven ground baring injuries 4 mph,
|
|
12
|
Woods, trees, forest Harrison
Ford running away
|
00:03:20
|
Wide shot
|
Medium angle shot which gets
the view of the whole stature
|
Pan
|
Cut
|
Low volume violin , breath of
Harrison Ford
|
|
13
|
Forest, leafs, woods,
Harrison Ford running
|
00:02:05
|
Close up
|
Low angle shot which gets the
view of the shoes only
|
Pan
|
Cut
|
Violin rise with the volume
|
|
14
|
Shot of Harrison Ford falling
and hitting the ground
|
00:02:10
|
Medium close up
|
Low angle, slow motion
|
Still
|
Cut
|
No music
|
Arghhh
|
15
|
Harrison Ford gets up and
carries on running
|
00:02:01
|
Medium close up
|
Eye level angle, slow motion
|
Tracking shot
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Cut
|
Violin in the background
|
|
16
|
Face of Tommy Lee Jones
speaking
|
00:01:23
|
Close up
|
Eye level angle
|
Still
|
Cut
|
The voice of tommy lee jones
|
That will give you a
radius of 6 miles. What I want out of each and every one of you is a hard
target search of every gas station.
|
17
|
Face of Harrison Ford
shaving, scissors
|
00:4:02
|
Close up
|
Eye level angle
|
Still
|
Cut
|
The voice of another seen
been played over another scene. Violin in the background been synchronized
|
Checkpoints will go up in 15
miles
|
18
|
Title of characters name
appear on the screen (first name)
|
00:02:25
|
Still
|
Cut
|
Violin in the background
|
No dialogue
|
||
19
|
Tommy Lee Jones moving
towards the camera, guns
|
00:03:10
|
Medium close up
|
Low angle which gives the
stature of the subject
|
Still
|
Cut
|
Sound of water been stepped
on with the violin music in the background
|
No dialogue
|
20
|
Title of the character’s name
(surname)
|
00:02:25
|
Still
|
Cut
|
Violin in the background
|
No dialogue
|
||
21
|
Tommy Lee Jones, vehicles,
police officers
|
00:02:42
|
Close up
|
Eye level angle
|
Still
|
Fades in from black then cut
to the next scene
|
Violin plays at the same low
volume then increases towards the end of the scene
|
Go get him
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